Students are always demanding the be speaking perfect English.
So…
Do we need to be writing perfect English?
Do we need to be speaking perfect English?
Do we need perfect English to be able to write effectively?
Do we need perfect English to be able to speak effectively?
What exactly do we need to be able to communicate effectively?
If there is a subject of really universal interest and utility, it is the art of writing and speaking one’s own language effectively. It is the basis of culture, as we all know; but it is infinitely more than that: it is the basis of business. No salesman can sell anything unless he can explain the merits of his goods in effective English, or can write an advertisement equally effective, or present his ideas, and the facts, in a letter. Indeed,the way we talk, and write letters, largely determines our success in life.
Now it is well for us to face at once the counter-statement that the most ignorant and uncultivated men often succeed best in business, and that misspelled, ungrammatical advertisements have brought in millions of dollars.
This poses to me the questions.
Why do non-English speakers want to learn English?
Do non-English speakers have to learn English perfectly?
Why do we all want to learn to communicate in English with each other?
Money, Love, Sex?
People are learning English because it has become the language that is unifying the business world.
I have seen others judged by the quality of their English and in some cases rightly so. But an ignoramus with a fist full of money to invest or spend will draw a crowd of followers.
How do you analyze a course book and its material to create a lesson?
I get a lot of emails on this question.
What are the pros and cons of coursebooks?
What are students expecting?
I remember when I was a student in college, I found that many times the professor did not follow the course book at all. It was quite irritating when it came to studying for tests and finals. It seemed that the teacher was off on some wild tangent and if I did not take excellent notes. I was going to be at a total loss. When we asked the teacher what we needed to know in the book, the reply was everything.
I soon found out when I became a teacher that not all course books are created equal? As a beginner I would follow the book, which is highly recommended. If the book is rubbish, the you had better find something better to present. That might mean looking at the aim of the lesson and tossing the entire lesson in the book away. Experienced teachers can sit back and visualize what they want to do in class and how the class will proceed. An experience teacher is not making it up as they go. They are accessing past experiences and are quickly able to make a mental plan in there head.
When using a coursebook to create a plan. Remember that all classes are different and all student will react and learn differently and at different paces.
Once you have the lesson in the book in front of you. Find out what the aim of the lesson is.
What language skills and/or language systems will the lesson cover?
What will the student be doing in the lesson?
Language skills are:
Reading, Writing, Listening and Speaking.
Language systems are:
Lexis, Grammar, Function and Phonology
You will need to take every activity from the book in the lesson and do the following
What kind of learning activity or games is it?
Classify the activity: What language skill or language system or combination will it covering.
How challenging do you think that the activity or game be for the Students?
How much preparation time will you need to administer the activity? Both Prior to class and during class.
What will you be doing during the activity during the lesson?
Where will you be standing?
How much talking will you be doing?
What will you be saying?
Will you active will your role be in the activity? A little, some, or a lot.
How will you be helping the students?
What kind of activity will you make out of a piece of material in from the coursebook?
When during the activity do you think that they will learn the new material?
How will they learn it?
Who will they learn it from?
What is the aim of the exercise or activity?
What questions will they have?
What parts of the course book will you omit, because it is complicated, boring, or confusing. Maybe you just don’t like it.
Classes react differently in situations. How might your class react to these exercises and activities?
What can you add, change or modify to lengthen the lesson?
What can you add, change or modify to make the lesson better?
Course book are written to give teacher support. They are written to help guide less experienced teachers and give experienced teacher material to use.
Remember:
SELECT appropriate material
REJECT omit, throw out inappropriate material
TEACH the book is not the teacher, you are!
EXPLOIT and adapt your material. Use it to make the class work
SUPPLEMENT you teaching with other materials. Magazines, picture articles, games, your ideas. projects.
Creating a lesson plan from a Coursebook lesson is a good skill to develop.
a lesson that goes step by step through a series of activities. It is like a hurdler in the Olympics. Each hurdle is an activity. This is the simplest of lesson plans to follow. It is quite a rigid format to follow. If you are a new teacher it is wise to stick with this kind of a lesson.
The topic umbrella lesson
similar to the logical line lesson. The order of the activities is not rigid. The teachers success of the lesson is not dependent on the order of the activities. It gives the teacher the opportunity to administer the lesson in a variety of ways, but still achieve the goal of the lesson plan. The teacher is still planning and predicting what will occur during the lesson. This lesson plan is a little tougher to follow because you will need the experience to know how to navigate the lesson during the class.
The jungle path
Imagine walking through the jungle. The grass and trees are thick, you may not have any idea of your path and you may even get lost. The teacher is taking a more people oriented approach to class than a lesson oriented approach in class. The teacher is using their senses to achieve the aims of the lesson. This is an even tougher type of lesson plan to administer. You will need be a seasoned teacher to get through this lesson plan.
The rag bag.
The teacher has a bag of activities to go through in class. They may be similar activities to those of the logical line or the topic umbrella, but there is no real plan. The students have no idea what to expect. This is the most dificult kind of lesson plan to follow and administer. You had better know what you are doing to do this kind of lesson plan. Don’t confuse lack of planning for this kind of lesson.
Suggestions are that when you are least experience you should stick with the logical line lesson. Each type of lesson increases in scale of how tough it is to administer. Only seasoned teachers should attempt the tougher lesson plans.
Setting up an activity and administering it is not a matter of throwing it out there and letting it happen. A poorly prepared activity can result in utter failure and can be a huge nightmare.
Before the lesson:
How do you prepare for an activity before the lesson:
Be familiar with the material
Be familiar with the activity
Try the activity yourself
Imagine how the activity will look in class.
How long will the activity take?
Will the students have enough of a language capacity to attempt the activity?
How might they need help?
What questions might the students have?
How might the students do it erroneously?
What will be your role during each stage of the activity?
What instructions are you going to need?
How will you be explain the activity?
How will you demonstrate the activity?
What kind of aids will you need?
What additional material will you need?
What if you plan the activity for 15 to 20 students and only 5 students show up to class?
Will the activity work with singles students, groups of pairs or more?
Does the activity require and even number of students in the class?
and be sure to try out the activity before the class.
During the lesson:
Pre-activity:
Setting up an activity is the opportunity to created interest and excitement in the class. A teacher could simply say, “Today we are going to do an activity.” The question is… Does this create interest and excitement in the class. I have heard both end of the spectrum when setting up and activity. Groans of disappointment and cheers of anticipation. How you deliver the activity at this point can have a dramatic effect on how the activity unfolds during the class. This is also called the lead-in. During the lead-in is also the time to discuss important language points critical to the activity.
Setting up the activity:
How are you going to organize the students?
Give clear instructions
Give a demonstration, much more preferable than a explanation.
Check your instructions, that the students understand.
The students may at this point have some individual work to prepare themselves for the activity. Such as thinking about the activity and preparing questions, answers and ideas.
Running the activity:
If you have prepared well for the activity. The rest will be easy. The activity should run itself with little help from you. Allow the students to participate. Your role will be to monitor the activity and give a little guidance. Try not to interfere. Let the student figure things out for themselves. Let them be challenged.
Closing the activity:
Let the activity close at its pace. Do not abruptly close the activity. Learn to sense when an activity is at a closing point. Many times when you have set up groups. Some group will be faster and will in some cases finish some time before the last group. This will present a challenge because they may start to fool around. Some group are proud to finish fast. Check for the quality of their work. If they have finished completely. You can have some addition activity that they can do. Sometimes with the slower groups you will have to finish the activity even though they have not completed it yet.
Post activity:
Have the students give feedback. Have a discussion about the activity. Have student exchange answers. Go over the material with them. Make sure that the student get everything that they need to achieve the aim of the activity.
There is a lot to creating a high quality Classroom Activity. Good luck.
How many different activities could you develop from a single piece of material?
Is the activity going to work on one of the four language skills?
Reading
Writing
Listening
Speaking
Is the activity working on any to the language systems?
Language
Grammar
Function
Phonology
Does the activity have an aim?
Does the activity engage the student?
How can you take an activity from a course book and modify it to work in your classroom?
An issue that I had was taking course book material and expanding it to fill a 2 hour block of time.
I recall a simple family birthday party in which the the students knew all the material. It was about 10 minutes worth of coverable material in the classroom. How do you stretch something like that to fit two hours? How do you keep the students from being bored and give them something of quality in that two hour block of time.
Your activities need to take into account the maturity level of the students. If you are teaching adults an activity may last 10 to 15 minutes or longer. Young learner have about a 5 minute attention span. You need to know your audience.
What are some different kinds of activities?
Classroom discussion
Dictation
Student sketches
Writing down ideas, questions, answers
Doing excercises as individuals or groups
Answering questions to exercises with the teacher or in groups
Playing some sort of game.
As you gain experience you will get more activities and variations of activities under you belt.
In the next post I will discuss the timeline of an activity and all the parts involved.
The Art Of Writing & Speaking The English Language, by Sherwin Cody
We must begin our study of the English language with the elementary sounds and the letters which represent them.
Name the first letter of the alphabet——a. The mouth is open and the sound may be prolonged indefinitely. It is a full, clear sound, an unobstructed vibration of the vocal chords.
Now name the second letter of the alphabet——b. You say bee or buh. You cannot prolong the sound. In order to give the real sound of b you have to associate it with some other sound, as that of e or u. In other words, b is in the nature of an obstruction of sound, or a modification of sound, rather than a simple elementary sound in itself. There is indeed a slight sound in the throat, but it is a closed sound and cannot be prolonged. In the case of p, which is similar to b, there is no sound from the throat.
So we see that there are two classes of sounds (represented by two classes of letters), those which are full and open tones from the vocal chords, pronounced with the mouth open, and capable of being prolonged indefinitely; and those which are in the nature of modifications of these open sounds, pronounced with or without the help of the voice, and incapable of being prolonged. The first class of sounds is called vowel sounds, the second, consonant sounds. Of the twenty-six letters of the alphabet, a, e, i, o, and u (sometimes y and w) represent vowel sounds and are called vowels; and the remainder represent consonant sounds, and are called consonants.
A syllable is an elementary sound, or a combination of elementary sounds, which can be given easy and distinct utterance at one effort. Any vowel may form a syllable by itself, but as we have seen that a consonant must be united with a vowel for its perfect utterance, it follows that every syllable must contain a vowel sound, even if it also contains consonant sounds. With that vowel sound one or more consonants may be united; but the ways in which consonants may combine with a vowel to form a syllable are limited. In general we may place any consonant before and any consonant after the vowel in the same syllable: but y for instance, can be given a consonant sound only at the beginning of a syllable, as in yet; at the end of a syllable y becomes a vowel sound, as in they or only. In the syllable twelfths we find seven consonant sounds; but if these same letters were arranged in almost any other way they could not be pronounced as one syllable―as for instance wtelthfs.
A word consists of one or more syllables to which some definite meaning is attached.
The difficulties of spelling and pronunciation arise largely from the fact that in English twenty-six letters must do duty for some forty-two sounds, and even then several of the letters are unnecessary, as for instance c, which has either the sound of s or of k; x, which has the sound either of ks, gs, or z; q, which in the combination qu has the sound of kw. All the vowels represent from two to seven sounds each, and some of the consonants interchange with each other.
The Sounds of the Vowels.―(1) Each of the vowels has what is called a long sound and a short sound. It is important that these two sets of sounds be fixed clearly in the mind, as several necessary rules of spelling depend upon them. In studying the following table, note that the long sound is marked by a straight line over the letter, and the short sound by a curve.
Long Short āte ăt gāve măn nāme băg
thēse pĕt mē tĕn (com)plēte brĕd
kīte sĭt rīce mĭll līme rĭp
nōte nŏt rōde rŏd sōle Tŏm
cūre bŭt cūte rŭn (a)būse crŭst
scұthe (like)lў
If we observe the foregoing list of words we shall see that each of the words containing a long vowel followed by a single consonant sound ends in silent e. After the short vowels there is no silent e. In each case in which we have the silent e there is a single long vowel followed by a single consonant, or two consonants combining to form a single sound, as th in scythe. Such words as roll, toll, etc., ending in double l have no silent e though the vowel is long; and such words as great, meet, pail, etc., in which two vowels combine with the sound of one, take no silent e at the end. We shall consider these exceptions more fully later; but a single long vowel followed by a single consonant always takes silent e at the end. As carefully stated in this way, the rule has no exceptions. The reverse, however, is not always true, for a few words containing a short vowel followed by a single consonant do take silent e; but there are very few of them. The principal are have, give, {(I)} live, love, shove, dove, above; also none, some, come, and some words in three or more syllables, such as domicile.
2. Beside the long and short sounds of the vowels there are several other vowel sounds.
A has two other distinct sounds:
̣ạ broad, like aw, as in all, talk, etc.
ä Italian, like ah, as in far, father, etc.
Double o has two sounds different from long or short o alone:
long ōō as in room, soon, mood, etc.
short ŏŏ, as in good, took, wood, etc.
Ow has a sound of its own, as in how, crowd, allow, etc.; and ou sometimes has the same sound, as in loud, rout, bough, etc.
(Ow and ou are also sometimes sounded like long o, as in own, crow, pour, etc., and sometimes have still other sounds, as ou in bought).
Oi and oy have a distinct sound of their own, as in oil, toil, oyster, void, boy, employ, etc.
Ow and oi are called proper diphthongs, as the two vowels combine to produce a sound different from either, while such combinations as ei, ea, ai, etc., are called improper diphthongs (or digraphs), because they have the sound of one or other of the simple vowels.
3. In the preceding paragraphs we have given all the distinct vowel sounds of the language, though many of them are slightly modified in certain combinations. But in many cases one vowel will be given the sound of another vowel, and two or more vowels will combine with a variety of sounds. These irregularities occur chiefly in a few hundred common words, and cause the main difficulties of spelling the English language. The following are the leading substitutes:
ew with the sound of u long, as in few, chew, etc. (perhaps this may be considered a proper diphthong);
e (ê, é) with the sound of a long, as in fête, abbé, and all foreign words written with an accent, especially French words;
i with the sound of e long, as in machine, and nearly all French and other foreign words;
o has the sound of double o long in tomb, womb, prove, move, etc., and of double o short in wolf, women, etc.;
o also has the sound of u short in above, love, some, done, etc.;
u has the sound of double o long after r, as in rude, rule;
it also has the sound of double o short in put, pull, bull, sure, etc.;
ea has the sound of a long, as in great; of e long, as in heat; of e short, as in head; of a Italian (ah), as in heart, hearth, etc.;
ei has the sound of e long, as in receive; of a long, as in freight, weight; sometimes of i long, as in either and neither, pronounced with either the sound of e long or i long, the latter being the English usage;
ie has the sound of i long, as in lie, and of e long, as in belief, and of i short, as in sieve;
ai has the sound of a long, as in laid, bail, train, etc., and of a short, as in plaid;
ay has the sound of a long, as in play, betray, say, etc.;
oa has the sound of o long, as in moan, foam, coarse, etc.
There are also many peculiar and occasional substitutions of sounds as in any and many (a as ĕ), women (o as ĭ), busy (u as ĭ), said (ai as ĕ), people (eo as ē), build (u as ĭ), gauge (au as ā), what (a as ŏ), etc.
When any of these combinations are to be pronounced as separate vowels, in two syllables, two dots should be placed over the second, as in naïve.
4. The chief modifications of the elementary sounds are the following:
before r each of the vowels e, i, o, u, and y has almost the same sound (marked like the Spanish ñ) as in her, birth, honor, burr, and myrtle; o before r sometimes has the sound of aw, as in or, for, etc.;
in unaccented syllables, each of the long vowels has a slightly shortened sound, as in f_a_tality, n_e_gotiate, int_o_nation, ref_u_tation, indicated by a dot above the sign for the long sound; (in a few words, such as d_i_gress, the sound is not shortened, however);
long a (â) is slightly modified in such words as care, fare, bare, etc., while e has the same sound in words like there, their, and where; (New Englan{d}פּ people give a the short sound in such words as care, etc., and pronounce there and where with the short sound of a, while their is pronounced with the short sound of e: this is not the best usage, however);
in pass, class, command, laugh, etc., we have a sound of a between Italian a and short a (indicated by a single dot over the a), though most Americans pronounce it as short, and most English give the Italian sound: the correct pronunciation is between these two.
The Sounds of the Consonants. We have already seen that there are two
classes of consonant sounds, those which have a voice sound, as b,
called sonant, and those which are mere breath sounds, like p,
called surds or aspirates. The chief difference between b and p
is that one has the voice sound and the other has not. Most of the
other consonants also stand in pairs. We may say that the sonant
consonant and its corresponding surd are the hard and soft forms of
the same sound. The following table contains also simple consonant
sounds represented by two letters: Sonant Surd
b p
d t
v f
g (hard) k
j ch
z s
th (in thine) th (in thin)
zh (or z as in azure) sh
w
y
l
m
n
r h
If we go down this list from the top to the bottom, we see that b is the most closed sound, while h is the most slight and open, and the others are graded in between (though not precisely as arranged above). These distinctions are important, because in making combinations of consonants in the same syllable or in successive syllables we cannot pass abruptly from a closed sound to an open sound, or the reverse, nor from a surd sound to a sonant, or the reverse. L, m, n, and r are called liquids, and easily combine with other consonants; and so do the sibilants (s, z, etc.). In the growth of the language, many changes have been made in letters to secure harmony of sound (as changing b to p in sub-port——support, and s, to f in differ―from dis and fero). Some combinations are not possible of pronunciation, others are not natural or easy; and hence the alterations. The student of the language must know how words are built; and then when he comes to a strange word he can reconstruct it for himself. While the short, common words may be irregular, the long, strange words are almost always formed quite regularly.
Most of the sonants have but one sound, and none of them has more than three sounds. The most important variations are as follows:
C and G have each a soft sound and a hard sound. The soft sound of c is the same as s, and the hard sound the same as k. The soft sound of g is the same as j, and the hard sound is the true sound of g as heard in gone, bug, struggle.
Important Rule. C and G are soft before e, i, and y, and hard before all the other vowels, before all the other consonants, and at the end of words.
The chief exceptions to this rule are a few common words in which g is hard before e or i. They include―give, get, gill, gimlet, girl, gibberish, gelding, gerrymander, gewgaw, geyser, giddy, gibbon, gift, gig, giggle, gild, gimp, gingham, gird, girt, girth, eager, and begin. G is soft before a consonant in judgment{,} lodgment, acknowledgment, etc. Also in a few words from foreign languages c is soft before other vowels, though in such cases it should always be written with a cedilla (ç).
N when marked ñ in words from the Spanish language is pronounced n-y (cañon like canyon).
Ng has a peculiar nasal sound of its own, as heard in the syllable ing.
N alone also has the sound of ng sometimes before g and k, as in angle, ankle, single, etc. (pronounced ang-gle, ang-kle, sing-gle).
Ph has the sound of f, as in prophet.
Th has two sounds, a hard sound as in the, than, bathe, scythe, etc., and a soft sound as in thin, kith, bath, Smith, etc. Contrast breathe and breath, lath and lathe; and bath and baths, lath and laths, etc.
S has two sounds, one its own sound, as in sin, kiss, fist (the same as c in lace, rice, etc.), and the sound of z, as in rise (contrast with rice), is, baths, men’s, etc.
X has two common sounds, one that of ks as in box, six, etc., and the other the sound of gs, as in exact, exaggerate (by the way, the first g in this word is silent). At the beginning of a word x has the sound of z as in Xerxes.
Ch has three sounds, as heard first in child, second in machine, and third in character. The first is peculiar to itself, the second is that of sh, and the third that of k.
The sound of sh is variously represented:
by sh{,} as in share, shift, shirt, etc.
by ti, as in condition, mention, sanction, etc.
by si, as in tension, suspension, extension, etc.
by ci, as in suspicion. (Also, crucifixion.)
The kindred sound of zh is represented by z as in azure, and s as in pleasure, and by some combinations.
Y is always a consonant at the beginning of a word when followed by a vowel, as in yet, year, yell, etc.; but if followed by a consonant it is a vowel, as in Ypsilanti. At the end of a word it is {al}ways a vowel, as in all words ending in the syllable ly.
Exercises. It is very important that the student should master the sounds of the language and the symbols for them, or the diacritical marks, for several reasons:
First, because it is impossible to find out the true pronunciation of a word from the dictionary unless one clearly understands the meaning of the principal marks;
Second, because one of the essentials in accurate pronunciation and good spelling is the habit of analyzing the sounds which compose words, and training the ear to detect slight variations;
Third, because a thorough knowledge of the sounds and their natural symbols is the first step toward a study of the principles governing word formation, or spelling and pronunciation.
For purposes of instruction through correspondence or by means of a textbook, the diacritical marks representing distinct sounds of the language afford a substitute for the voice in dictation and similar exercises, and hence such work requires a mastery of what might at first sight seem a purely mechanical and useless system.
One of the best exercises for the mastery of this system is to open the unabridged dictionary at any point and copy out lists of words, writing the words as they ordinarily appear in one column, and in an adjoining column the phonetic form of the word. When the list is complete, cover one column and reproduce the other from an application of the principles that have been learned. After a few days, reproduce the phonetic forms from the words as ordinarily written, and again the ordinary word from the phonetic form. Avoid memorizing as much as possible, but work solely by the application of principles. Never write down a phonetic form without fully understanding its meaning in every detail. A key to the various marks will be found at the bottom of every page of the dictionary, and the student should refer to this frequently. In the front part of the dictionary there will also be found an explanation of all possible sounds that any letter may have; and every sound that any letter may have may be indicated by a peculiar mark, so that since several letters may represent the same sound there are a variety of symbols for the same sound. For the purposes of this book it has seemed best to offer only one symbol for each sound, and that symbol the one most frequently used. For that reason the following example will not correspond precisely with the forms given in the dictionary, but a study of the differences will afford a valuable exercise.
Illustration.*
*In this exercise, vowels before r marked in webster with the double curve used over the Spanish n, are left unmarked. Double o with the short sound is also left unmarked.
The first place that I can well remember was a large,
Thĕ first plās thăt I kan wĕl rēmĕmber woz ā lärj,
pleasant meadow with a pond of clear water in it. Some plĕs′nt mĕdō with ā pŏnd ŏv klēr wŏter in it. Sŭm
shady trees leaned over it, and rushes and water-lilies shādĭ trēz lēnd ōver it, ănd rŭshēz ănd wŏter-lĭliz
grew at the deep end. Over the hedge on one side we looked grū ăt thē dēp ĕnd. Ōver thē hĕj ŏn wŭn sīd wē lookt
into a plowed field, and on the other we looked over a intōō ā plowd fēld{,} ănd ŏn thē ŏther wē lookt ŏver ā
gate at our master’s house, which stood by the roadside. gāt ăt owr măster’z hows, hwich stood bī thē rōdsīd.
At the top of the meadow was a grove of fir-trees, and at
At thē top ŏv the mēdō wŏz ā grōv ŏv fir-trēz, ănd ăt
the bottom a running brook overhung by a steep bank. thē bŏt′m a rŭning brook ōverhŭng bī a stēp bănk.
Whilst I was young I lived upon my mother’s milk, as I could
Hwilst I wŏz yŭng I livd ŭpŏn mī mŭther’z milk, ăz I kood
not eat grass. In the daytime I ran by her side, and at night nŏt ēt grăs. In thē dātīm I răn bī her sīd, ănd ăt nīt
I lay down close by her. When it was hot we used to stand
I lā down klōs bī her. Hwĕn it wŏz hŏt wē ūzd tōō stănd
by the pond in the shade of the trees, and when it was cold bī thē pŏnd in thē shād ŏv thē trēz, ănd hwēn it wŏz kōld
we had a nice, warm shed near the grove. wē hăd ā nīs, wawrm shĕd nēr thē grōv.
Note. In Webster’s dictionary letters which are unmarked have an obscure sound often not unlike uh, or are silent, and letters printed in italics are nearly elided, so very slight is the sound they have if it can be said to exist at all. In the illustration above, all very obscure sounds have been replaced by the apostrophe, while no distinction has been made between short vowels in accented and unaccented syllables.
Studies from the Dictionary.
The following are taken from Webster’s Dictionary:
Ab-dŏm′-i-noŭs: The a in ab is only a little shorter than a in at, and the i is short being unaccented, while the o is silent, the syllable having the sound nŭs as indicated by the mark over the u.
Lĕss′en, (lĕs′n), lĕs′son, (lĕs′sn), lĕss′er, lĕs′sor: Each of these words has two distinct syllables, though there is no recognizable vowel sound in the last syllables of the first two. This eliding of the vowel is shown by printing the e and the o of the final syllables in italics. In the last two words the vowels of the final syllables are not marked, but have nearly the sound they would have if marked in the usual way for e and o before r. As the syllables are not accented the vowel sound is slightly obscured. Or in lessor has the sound of the word or (nearly), not the sound of or in honor, which will be found re-spelled (ŏn′ur). It will be noted that the double s is divided in two of the words and not in the other two. In lesser and lessen all possible stress is placed on the first syllables, since the terminations have the least possible value in speaking; but in lesson and lessor we put a little more stress on the final syllables, due to the greater dignity of the letter o, and this draws over a part of the s sound.
Hon′-ey▬cōmb (hŭn′y–kōm): The heavy hyphen indicates that this is a compound word and the hyphen must always be written. The hyphens printed lightly in the dictionary merely serve to separate the syllables and show how a word may be divided at the end of a line. The student will also note that the o in -comb has its full long value instead of being slighted. This slight added stress on the o is the way we have in speaking of indicating that -comb was once a word by itself, with an accent of its own.
Exercise. Select other words from the dictionary, and analyse as we have done above, giving some explanation for every peculiarity found in the printing and marks. Continue this until there is no doubt or hesitation in regard to the meaning of any mark that may be found.
LETTERS AND SOUNDS.
We must begin our study of the English language with the elementary sounds and the letters which represent them.
Name the first letter of the alphabet——a. The mouth is open and the sound may be prolonged indefinitely. It is a full, clear sound, an unobstructed vibration of the vocal chords.
Now name the second letter of the alphabet——b. You say bee or buh. You cannot prolong the sound. In order to give the real sound of b you have to associate it with some other sound, as that of e or u. In other words, b is in the nature of an obstruction of sound, or a modification of sound, rather than a simple elementary sound in itself. There is indeed a slight sound in the throat, but it is a closed sound and cannot be prolonged. In the case of p, which is similar to b, there is no sound from the throat.
So we see that there are two classes of sounds (represented by two classes of letters), those which are full and open tones from the vocal chords, pronounced with the mouth open, and capable of being prolonged indefinitely; and those which are in the nature of modifications of these open sounds, pronounced with or without the help of the voice, and incapable of being prolonged. The first class of sounds is called vowel sounds, the second, consonant sounds. Of the twenty-six letters of the alphabet, a, e, i, o, and u (sometimes y and w) represent vowel sounds and are called vowels; and the remainder represent consonant sounds, and are called consonants.
A syllable is an elementary sound, or a combination of elementary sounds, which can be given easy and distinct utterance at one effort. Any vowel may form a syllable by itself, but as we have seen that a consonant must be united with a vowel for its perfect utterance, it follows that every syllable must contain a vowel sound, even if it also contains consonant sounds. With that vowel sound one or more consonants may be united; but the ways in which consonants may combine with a vowel to form a syllable are limited. In general we may place any consonant before and any consonant after the vowel in the same syllable: but y for instance, can be given a consonant sound only at the beginning of a syllable, as in yet; at the end of a syllable y becomes a vowel sound, as in they or only. In the syllable twelfths we find seven consonant sounds; but if these same letters were arranged in almost any other way they could not be pronounced as one syllable―as for instance wtelthfs.
A word consists of one or more syllables to which some definite meaning is attached.
The difficulties of spelling and pronunciation arise largely from the fact that in English twenty-six letters must do duty for some forty-two sounds, and even then several of the letters are unnecessary, as for instance c, which has either the sound of s or of k; x, which has the sound either of ks, gs, or z; q, which in the combination qu has the sound of kw. All the vowels represent from two to seven sounds each, and some of the consonants interchange with each other.
The Sounds of the Vowels.―(1) Each of the vowels has what is called a long sound and a short sound. It is important that these two sets of sounds be fixed clearly in the mind, as several necessary rules of spelling depend upon them. In studying the following table, note that the long sound is marked by a straight line over the letter, and the short sound by a curve.
Long Short āte ăt gāve măn nāme băg
thēse pĕt mē tĕn (com)plēte brĕd
kīte sĭt rīce mĭll līme rĭp
nōte nŏt rōde rŏd sōle Tŏm
cūre bŭt cūte rŭn (a)būse crŭst
scұthe (like)lў
If we observe the foregoing list of words we shall see that each of the words containing a long vowel followed by a single consonant sound ends in silent e. After the short vowels there is no silent e. In each case in which we have the silent e there is a single long vowel followed by a single consonant, or two consonants combining to form a single sound, as th in scythe. Such words as roll, toll, etc., ending in double l have no silent e though the vowel is long; and such words as great, meet, pail, etc., in which two vowels combine with the sound of one, take no silent e at the end. We shall consider these exceptions more fully later; but a single long vowel followed by a single consonant always takes silent e at the end. As carefully stated in this way, the rule has no exceptions. The reverse, however, is not always true, for a few words containing a short vowel followed by a single consonant do take silent e; but there are very few of them. The principal are have, give, {(I)} live, love, shove, dove, above; also none, some, come, and some words in three or more syllables, such as domicile.
2. Beside the long and short sounds of the vowels there are several other vowel sounds.
A has two other distinct sounds:
̣ạ broad, like aw, as in all, talk, etc.
ä Italian, like ah, as in far, father, etc.
Double o has two sounds different from long or short o alone:
long ōō as in room, soon, mood, etc.
short ŏŏ, as in good, took, wood, etc.
Ow has a sound of its own, as in how, crowd, allow, etc.; and ou sometimes has the same sound, as in loud, rout, bough, etc.
(Ow and ou are also sometimes sounded like long o, as in own, crow, pour, etc., and sometimes have still other sounds, as ou in bought).
Oi and oy have a distinct sound of their own, as in oil, toil, oyster, void, boy, employ, etc.
Ow and oi are called proper diphthongs, as the two vowels combine to produce a sound different from either, while such combinations as ei, ea, ai, etc., are called improper diphthongs (or digraphs), because they have the sound of one or other of the simple vowels.
3. In the preceding paragraphs we have given all the distinct vowel sounds of the language, though many of them are slightly modified in certain combinations. But in many cases one vowel will be given the sound of another vowel, and two or more vowels will combine with a variety of sounds. These irregularities occur chiefly in a few hundred common words, and cause the main difficulties of spelling the English language. The following are the leading substitutes:
ew with the sound of u long, as in few, chew, etc. (perhaps this may be considered a proper diphthong);
e (ê, é) with the sound of a long, as in fête, abbé, and all foreign words written with an accent, especially French words;
i with the sound of e long, as in machine, and nearly all French and other foreign words;
o has the sound of double o long in tomb, womb, prove, move, etc., and of double o short in wolf, women, etc.;
o also has the sound of u short in above, love, some, done, etc.;
u has the sound of double o long after r, as in rude, rule;
it also has the sound of double o short in put, pull, bull, sure, etc.;
ea has the sound of a long, as in great; of e long, as in heat; of e short, as in head; of a Italian (ah), as in heart, hearth, etc.;
ei has the sound of e long, as in receive; of a long, as in freight, weight; sometimes of i long, as in either and neither, pronounced with either the sound of e long or i long, the latter being the English usage;
ie has the sound of i long, as in lie, and of e long, as in belief, and of i short, as in sieve;
ai has the sound of a long, as in laid, bail, train, etc., and of a short, as in plaid;
ay has the sound of a long, as in play, betray, say, etc.;
oa has the sound of o long, as in moan, foam, coarse, etc.
There are also many peculiar and occasional substitutions of sounds as in any and many (a as ĕ), women (o as ĭ), busy (u as ĭ), said (ai as ĕ), people (eo as ē), build (u as ĭ), gauge (au as ā), what (a as ŏ), etc.
When any of these combinations are to be pronounced as separate vowels, in two syllables, two dots should be placed over the second, as in naïve.
4. The chief modifications of the elementary sounds are the following:
before r each of the vowels e, i, o, u, and y has almost the same sound (marked like the Spanish ñ) as in her, birth, honor, burr, and myrtle; o before r sometimes has the sound of aw, as in or, for, etc.;
in unaccented syllables, each of the long vowels has a slightly shortened sound, as in f_a_tality, n_e_gotiate, int_o_nation, ref_u_tation, indicated by a dot above the sign for the long sound; (in a few words, such as d_i_gress, the sound is not shortened, however);
long a (â) is slightly modified in such words as care, fare, bare, etc., while e has the same sound in words like there, their, and where; (New Englan{d}פּ people give a the short sound in such words as care, etc., and pronounce there and where with the short sound of a, while their is pronounced with the short sound of e: this is not the best usage, however);
in pass, class, command, laugh, etc., we have a sound of a between Italian a and short a (indicated by a single dot over the a), though most Americans pronounce it as short, and most English give the Italian sound: the correct pronunciation is between these two.
The Sounds of the Consonants. We have already seen that there are two
classes of consonant sounds, those which have a voice sound, as b,
called sonant, and those which are mere breath sounds, like p,
called surds or aspirates. The chief difference between b and p
is that one has the voice sound and the other has not. Most of the
other consonants also stand in pairs. We may say that the sonant
consonant and its corresponding surd are the hard and soft forms of
the same sound. The following table contains also simple consonant
sounds represented by two letters: Sonant Surd
b p
d t
v f
g (hard) k
j ch
z s
th (in thine) th (in thin)
zh (or z as in azure) sh
w
y
l
m
n
r h
If we go down this list from the top to the bottom, we see that b is the most closed sound, while h is the most slight and open, and the others are graded in between (though not precisely as arranged above). These distinctions are important, because in making combinations of consonants in the same syllable or in successive syllables we cannot pass abruptly from a closed sound to an open sound, or the reverse, nor from a surd sound to a sonant, or the reverse. L, m, n, and r are called liquids, and easily combine with other consonants; and so do the sibilants (s, z, etc.). In the growth of the language, many changes have been made in letters to secure harmony of sound (as changing b to p in sub-port——support, and s, to f in differ―from dis and fero). Some combinations are not possible of pronunciation, others are not natural or easy; and hence the alterations. The student of the language must know how words are built; and then when he comes to a strange word he can reconstruct it for himself. While the short, common words may be irregular, the long, strange words are almost always formed quite regularly.
Most of the sonants have but one sound, and none of them has more than three sounds. The most important variations are as follows:
C and G have each a soft sound and a hard sound. The soft sound of c is the same as s, and the hard sound the same as k. The soft sound of g is the same as j, and the hard sound is the true sound of g as heard in gone, bug, struggle.
Important Rule. C and G are soft before e, i, and y, and hard before all the other vowels, before all the other consonants, and at the end of words.
The chief exceptions to this rule are a few common words in which g is hard before e or i. They include―give, get, gill, gimlet, girl, gibberish, gelding, gerrymander, gewgaw, geyser, giddy, gibbon, gift, gig, giggle, gild, gimp, gingham, gird, girt, girth, eager, and begin. G is soft before a consonant in judgment{,} lodgment, acknowledgment, etc. Also in a few words from foreign languages c is soft before other vowels, though in such cases it should always be written with a cedilla (ç).
N when marked ñ in words from the Spanish language is pronounced n-y (cañon like canyon).
Ng has a peculiar nasal sound of its own, as heard in the syllable ing.
N alone also has the sound of ng sometimes before g and k, as in angle, ankle, single, etc. (pronounced ang-gle, ang-kle, sing-gle).
Ph has the sound of f, as in prophet.
Th has two sounds, a hard sound as in the, than, bathe, scythe, etc., and a soft sound as in thin, kith, bath, Smith, etc. Contrast breathe and breath, lath and lathe; and bath and baths, lath and laths, etc.
S has two sounds, one its own sound, as in sin, kiss, fist (the same as c in lace, rice, etc.), and the sound of z, as in rise (contrast with rice), is, baths, men’s, etc.
X has two common sounds, one that of ks as in box, six, etc., and the other the sound of gs, as in exact, exaggerate (by the way, the first g in this word is silent). At the beginning of a word x has the sound of z as in Xerxes.
Ch has three sounds, as heard first in child, second in machine, and third in character. The first is peculiar to itself, the second is that of sh, and the third that of k.
The sound of sh is variously represented:
by sh{,} as in share, shift, shirt, etc.
by ti, as in condition, mention, sanction, etc.
by si, as in tension, suspension, extension, etc.
by ci, as in suspicion. (Also, crucifixion.)
The kindred sound of zh is represented by z as in azure, and s as in pleasure, and by some combinations.
Y is always a consonant at the beginning of a word when followed by a vowel, as in yet, year, yell, etc.; but if followed by a consonant it is a vowel, as in Ypsilanti. At the end of a word it is {al}ways a vowel, as in all words ending in the syllable ly.
Exercises. It is very important that the student should master the sounds of the language and the symbols for them, or the diacritical marks, for several reasons:
First, because it is impossible to find out the true pronunciation of a word from the dictionary unless one clearly understands the meaning of the principal marks;
Second, because one of the essentials in accurate pronunciation and good spelling is the habit of analyzing the sounds which compose words, and training the ear to detect slight variations;
Third, because a thorough knowledge of the sounds and their natural symbols is the first step toward a study of the principles governing word formation, or spelling and pronunciation.
For purposes of instruction through correspondence or by means of a textbook, the diacritical marks representing distinct sounds of the language afford a substitute for the voice in dictation and similar exercises, and hence such work requires a mastery of what might at first sight seem a purely mechanical and useless system.
One of the best exercises for the mastery of this system is to open the unabridged dictionary at any point and copy out lists of words, writing the words as they ordinarily appear in one column, and in an adjoining column the phonetic form of the word. When the list is complete, cover one column and reproduce the other from an application of the principles that have been learned. After a few days, reproduce the phonetic forms from the words as ordinarily written, and again the ordinary word from the phonetic form. Avoid memorizing as much as possible, but work solely by the application of principles. Never write down a phonetic form without fully understanding its meaning in every detail. A key to the various marks will be found at the bottom of every page of the dictionary, and the student should refer to this frequently. In the front part of the dictionary there will also be found an explanation of all possible sounds that any letter may have; and every sound that any letter may have may be indicated by a peculiar mark, so that since several letters may represent the same sound there are a variety of symbols for the same sound. For the purposes of this book it has seemed best to offer only one symbol for each sound, and that symbol the one most frequently used. For that reason the following example will not correspond precisely with the forms given in the dictionary, but a study of the differences will afford a valuable exercise.
Illustration.*
*In this exercise, vowels before r marked in webster with the double curve used over the Spanish n, are left unmarked. Double o with the short sound is also left unmarked.
The first place that I can well remember was a large,
Thĕ first plās thăt I kan wĕl rēmĕmber woz ā lärj,
pleasant meadow with a pond of clear water in it. Some plĕs′nt mĕdō with ā pŏnd ŏv klēr wŏter in it. Sŭm
shady trees leaned over it, and rushes and water-lilies shādĭ trēz lēnd ōver it, ănd rŭshēz ănd wŏter-lĭliz
grew at the deep end. Over the hedge on one side we looked grū ăt thē dēp ĕnd. Ōver thē hĕj ŏn wŭn sīd wē lookt
into a plowed field, and on the other we looked over a intōō ā plowd fēld{,} ănd ŏn thē ŏther wē lookt ŏver ā
gate at our master’s house, which stood by the roadside. gāt ăt owr măster’z hows, hwich stood bī thē rōdsīd.
At the top of the meadow was a grove of fir-trees, and at
At thē top ŏv the mēdō wŏz ā grōv ŏv fir-trēz, ănd ăt
the bottom a running brook overhung by a steep bank. thē bŏt′m a rŭning brook ōverhŭng bī a stēp bănk.
Whilst I was young I lived upon my mother’s milk, as I could
Hwilst I wŏz yŭng I livd ŭpŏn mī mŭther’z milk, ăz I kood
not eat grass. In the daytime I ran by her side, and at night nŏt ēt grăs. In thē dātīm I răn bī her sīd, ănd ăt nīt
I lay down close by her. When it was hot we used to stand
I lā down klōs bī her. Hwĕn it wŏz hŏt wē ūzd tōō stănd
by the pond in the shade of the trees, and when it was cold bī thē pŏnd in thē shād ŏv thē trēz, ănd hwēn it wŏz kōld
we had a nice, warm shed near the grove. wē hăd ā nīs, wawrm shĕd nēr thē grōv.
Note. In Webster’s dictionary letters which are unmarked have an obscure sound often not unlike uh, or are silent, and letters printed in italics are nearly elided, so very slight is the sound they have if it can be said to exist at all. In the illustration above, all very obscure sounds have been replaced by the apostrophe, while no distinction has been made between short vowels in accented and unaccented syllables.
Studies from the Dictionary.
The following are taken from Webster’s Dictionary:
Ab-dŏm′-i-noŭs: The a in ab is only a little shorter than a in at, and the i is short being unaccented, while the o is silent, the syllable having the sound nŭs as indicated by the mark over the u.
Lĕss′en, (lĕs′n), lĕs′son, (lĕs′sn), lĕss′er, lĕs′sor: Each of these words has two distinct syllables, though there is no recognizable vowel sound in the last syllables of the first two. This eliding of the vowel is shown by printing the e and the o of the final syllables in italics. In the last two words the vowels of the final syllables are not marked, but have nearly the sound they would have if marked in the usual way for e and o before r. As the syllables are not accented the vowel sound is slightly obscured. Or in lessor has the sound of the word or (nearly), not the sound of or in honor, which will be found re-spelled (ŏn′ur). It will be noted that the double s is divided in two of the words and not in the other two. In lesser and lessen all possible stress is placed on the first syllables, since the terminations have the least possible value in speaking; but in lesson and lessor we put a little more stress on the final syllables, due to the greater dignity of the letter o, and this draws over a part of the s sound.
Hon′-ey▬cōmb (hŭn′y–kōm): The heavy hyphen indicates that this is a compound word and the hyphen must always be written. The hyphens printed lightly in the dictionary merely serve to separate the syllables and show how a word may be divided at the end of a line. The student will also note that the o in -comb has its full long value instead of being slighted. This slight added stress on the o is the way we have in speaking of indicating that -comb was once a word by itself, with an accent of its own.
Exercise. Select other words from the dictionary, and analyse as we have done above, giving some explanation for every peculiarity found in the printing and marks. Continue this until there is no doubt or hesitation in regard to the meaning of any mark that may be found.
it is like air to the creatures of the land or water to fishes.
If it is perfectly clear and pure, we do not notice it any more than we notice pure air when the sun is shining in a clear sky, or the taste of pure cool water when we drink a glass on a hot day.Unless the sun is shining, there is no brightness; unless the water is cool, there is no refreshment. The source of all our joy in the land scape, of the luxuriance of fertile nature, is the sun and not the air. Nature would be more prodigal in Mexico than in Greenland,even if the air in Mexico were as full of soot and smoke as the air of Pittsburgh, or loaded with the acid from a chemical factory.
So it is with language.
Language is merely a medium for thoughts, emotions, the intelligence of a finely wrought brain, and a good mind will make far more out of a bad medium than a poor mind will make out of the best.
A great violinist will draw such music from the cheapest violin that the world is astonished.
However is that any reason why the great violinist should choose to play on a poor violin;
or should one say nothing of the smoke nuisance in Chicago because more light and heat penetrate its murky atmosphere than are to be found in cities only a few miles farther north?
The truth is, we must regard the bad spelling nuisance, the bad grammar nuisance, the inartistic and rambling language nuisance,precisely as we would the smoke nuisance, the sewer-gas nuisance, the stock-yards’ smell nuisance.
Some dainty people prefer pure air and correct language; but we now recognize that purity is something more than an aesthetic fad,that it is essential to our health and well-being, and therefore it becomes a matter of universal public interest, in language as well as in air.
There is a general belief that while bad air may be a positive evil influence, incorrect use of language is at most no more than a negative evil: that while it may be a good thing to be correct, no special harm is involved in being incorrect.
The Art Of Writing & Speaking The English Language, by Sherwin Cody
Traditional vs. Contemporary methods for teaching English.
When I took my CELTA class we focused on a lot of methodology for teaching.
About 35 years ago the concept for teaching a foreign language started to change.
Traditionally the concentration was on grammar, reading and writing, memorization and drilling. If you were to look at a syllabus for a class from a traditional method the concentration would have been on grammar.
In the public schools here in Vietnam, this is no doubt true. The students in many cases can read English and write English. They know their English Grammar better than a native speaker, but they can barely utter “Hello”, “How are you?”, “Where are you from?” and “What’s your name?”
When you answer they don’t understand.
Something in the learning equation is obviously missing.
Have you ever talked to a someone who has moved to an English speaking country and has had to learn from trial and error how to speak English? The first thing that you will notice is, which is more important? Good Grammar or the ability to communicate the idea.
The next is phonology. Can I understand the bad accent?
Here in Vietnam. I know how to order food. I know how to fill up the gas tank on my bike.
When I say, “Fill’er up”. about half of the time the attendant doesn’t understand me. I know the Vietnamese grammar perfectly, but my accent is so bad, but I do get error correction and I can read the written language. So I always practice pronunciation.
Teaching Grammar, reading and Writing alone doesn’t cut the mustard.
Obviously this is an unbalanced learning methodology.
About 25 years ago, Functional language enters into the picture. I recall in my Spanish class, our books taught us grammar. Then we proceeded to have vocabulary and then chapters of the books were sectioned into functional language. Such as Going the the airport, Going to the restaurant, At the dinner table, around the house, visiting the mall, riding the bus, etc. most books are like this today.
Still, though, we had to do a lot of memory and vocab. Not much communicating in class. Our tests were vocabulary and answering questions grammatically.
None of this new language was ever activated. Activation is an important word in the business of learning a language. Activation is the process where the student processes the new language to the point where is becomes usable for them over and over again.
Hence, the Contemporary method.
Added to the equation is phonology, an understandable accent and turning the classroom into a learning environment where by students can practice and activate the new language.
Lexis is changing too. When I took Spanish I would always expect some sort of vocabulary list and eventually some sort of test.
Lexis is a fancy word for vocabulary, but instead of just memorizing a word. The is now what is known as lexical chunks. These are 2, 3 or longer word phrases. People use lexical chunks all the time.
Some examples:
I’m sorry
How are you?
I know what you mean.
Give me a …
What are you doing?
Anytime you swear
To really drive this home, in my opinion these lexical chunks are stored in a different part of the brain and are retrieved and all used as muscle memory. The part of the brain that takes individual words and constructs sentences is in a totally different part of the brain.
Where this became evident to me was when a friend of mine had a stroke. He could not even utter a word for about a month. He does not have any slurred speech. If you met him you would not know that he ever had a stroke except when he speaks.
For him, lexical chunks flow out of his mouth with ease. Constructing sentences is his challenge. He can’t remember words. The following is an example of a conversation with him.
I walk into his room at the hospital.
He says, “Oh, Hi guy, how are you doing?”
Me: “Great, How are you doing?”
Him: “I’m doing great, too.”
Me: “What did you do today?”
Him: “Today I went to the ……..ooh, uhh, uhh……, oh shit!”
Me: “Can’t think of the word?
Him: “No…
This is what contemporary language learning is trying to do with lexical chunks. How much of a lexical chunk do you have to hear before your mind is working on the next part of the conversation. The brain has taken an expected lexical chunk during a conversation and has processed it before the speaker has completed saying it.
If you are teaching lexis as vocab. You are working with the wrong part of the brain.
Language System and Language Skills are the fundamentals
To Teach English you need to be a subject matter expert in English. The toughest part of any language is becoming a fluent speaker. What students in non-English speaking countries are looking for is the Native Speaker. A native speaker is anyone that speaks the language as a first language. I asked one my CELTA instructor if a person who speaks a language as a second language could be considered a native speaker. He said that if you have taken a majority of your schooling in a language. Such as attending high school and university. You could be considered a native speaker.
Think about all the different kinds of native English speakers you will run into. Mostly it is British, Australian and American. With in these countries think about all the different accents that you have. Here in Vietnam the students have a great desire to learn from a native English speaker with an American Accent. I have discovered that most can not distinguish between the accents.
Enough now a for the meat of Language systems and language skills.
Language is broken into two main parts:
Language systems
Language skills
Language systems encompass:
Lexis
Grammar
Function
Phonology
Language skills encompass:
Speaking
Writing
Reading
Listening
When you analyze a sentence you are using the Language Systems
Lexis: A fancy word for Vocabulary
Grammar: How the word works with other words
Function: How the language is used in a particular situation. i.e. shopping, riding the bus, traveling, eating dinner.
Phonology: How the language sounds. Not only the accent, but tone and rhythm.
When you analyze how a person uses language, you get the four skills that a speaker uses. Learning a language is the act of developing these skills to the level of fluency.
The skills fall into two categories:
Productive
Receptive
A Productive skill is the active part of communication.
Speaking. This is the utterance of sound
Writing. This is putting your ideas physically on paper using some sort of characters
A Receptive skill is the passive part of communications.
Listening. The skill of taking in the utterance, filtering it and gaining meaning from it.
Reading. The skill of taking in the written character and gaining a meaning from it.
When you are teaching a class the aim of the class will fall into any of these skills categories. A lesson plan will have two aims. A primary and a secondary aim. If you are unable to find a secondary aim it will always be speaking.
The basics of Language Systems and Language Skills.